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#Harrison mixbus 32c features vs mixbus v5 how to#
#Harrison mixbus 32c features vs mixbus v5 professional#

Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.Support for video timeline, video window, and audio+video exports.Latest generation of Harrison’s “True Analog Mixing™” processing engine with enhanced compressor/limiter algorithms built-in sidechain bussing, and increased plug-in flexibility.Persistent undo (undo remains possible after closing and reopening a session).

#Harrison mixbus 32c features vs mixbus v5 professional#

Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync video pullup/pulldown.Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX and VST3, VST and LV2 plug-ins on all platforms.Extensive DAW editing features including “Smart Tool”, Ripple Edit, and configurable keybindings for nearly every operation.Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation.Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track.

Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.

Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts.

The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.

Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.

Precise emulation based on Harrison’s famous analog console circuit designs.

Straightforward “knob per function” mixer layout based on Harrison’s renowned music consoles.

Still I like Cubase more for the functionality, though as some others said, Mixbus 'feels' more as a analog console. Not sure how the channel-strip holds up against new releases of channel-strips. I think the power of Mixbus lies in the workflow. It seems the processing makes the difference, not summing the engine itself. I find the difference not to as subtle I suspected. Thanks for sharing the audio files, I appreciate it. Harrison, get the damned QCon devices working and we are best friends. Same as you would compose a different melody if you use a guitar or a banjo.Ĭonclusion: Dear Mr. In Mixbus, I do and hear different thinks. With Mixbus I used also the Tools in the Demo mode (But functional). In both DAW's I just used the On-Board Tools. (04-10-2020, 08:32 AM)Till Wrote: I picked some nice stems from the Telefunken studio. (04-16-2020, 07:08 PM)bayswater Wrote: Anyone done an "invert and sum" comparison between Mixbus and any other audio app? Or between MB and MB 32C? Latency problems are obviously solved in V6 but I have to get more recording experience to come to a final conclusion.

I never got such a good sound out of the box as with Mixbus. But if it comes to music, the destination is to get the best sound. I use Nuendo 10 as I'm working in the dubbing industry here in Germany. (04-14-2020, 05:39 AM)Absolutely Last Efx Wrote: Hi Till, I confirm every word that you said, but for some work, example arrangement of soundtrack for video games or film, the editing in Cubase 10.5.x via VST Expression is to another world. I forgot, the pan control WORKS into Space, amazing feeling. From Filter section to dynamic section torus section to master section. Only using the entire path of Mixbus you can hear the differences. I remastered my last soundtrack and for make this I put the stereo mix into one channel for use the Filter section, routed into a mixbus for use the tape saturation drive, routed into masterbus section. I love Mixbus32c, It is the thing that comes closest to the sound of a console, but only if you MIX with this.

#Harrison mixbus 32c features vs mixbus v5 how to#

In past, few years ago, I did it with Logic X but how to Steinberg use Core Audio it's a bit different because they have a small layer abstraction to put VST ASIO into Core Audio. Now that I have the 32c-v6 from previous version v3, the next step is put Cubase&MixBus together.

Hi Till, I confirm every word that you said, but for some work, example arrangement of soundtrack for video games or film, the editing in Cubase 10.5.x via VST Expression is to another world. If you spend as an Audio Engineer half of your life behind an analog console (in my case 3 DDA AMR24 desks) you will love Mixbus 32C. I can record vst instruments directly as a wave file. Quote:The On-Board Tools of Mixbus and optional Plug-Ins give me all I need.